Kurt Kren Movies

Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail...

A report about an Underground Festival on tour through Germany and Switzerland.

Documentary by Hans Scheugl on Kurt Kren.

The making of pictures becomes the central issue in itself in that, with an analytical single-picture procedure, picture-taking tourists on Vienna's...

A subversive and experimental film by Otto Muehl.

Kurt Kren short

Vacation pictures from Rome.

A silent short film by Kurt Kren.

An experimental, bizarre and a very different shooting of an association between the sexes.

A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time in...

"In 1983, I got a job as a museum attendant and abandoned film-making entirely. And so the question arose: "no film?," and the conclusion I came to...

The third of the "bad home movies". Kren moved, along with his Thunderbird from New England in winter to the warmth of Texas. Part of the film was...

A collage of many visuals. A man urinates; a man has a drink. A man defecates; someone eats a meal. 16/67 September 20: ‘The Eating Drinking...

Zeichenfilm - Balzac oder das Auge Gottes is a play on the idea of trick film. And trick film it is. The 30-second work is shown twice in case the...

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a...

"Action" by Günter Brus. At first Kren did not want to show the film, because the image is underexposed. A copy of the negative material turned...

Kurt Kren films an anti-war poster in extreme close-up moves to subvert the quick responses of viewers to its loaded imagery.

This film shows, with the use of single-frames, Kren's diary-like notes from 1968 to 1976, especially his entries about the work on the three...

In Schatzi Kurt Kren films a photo which shows an SS officer standing on a town square which is littered with dead bodies.

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer...